 |
|
Songwriting fuels
his passion
It's the song, stupid!
Well, he may not be that blunt
about it, but Zach Ziskin is definitely a songwriter first these days.
Like many Gen X musicians, he was enamored of the '80s guitar gods as a
youth.
Now, it's not about how many notes you can play in any given
solo, but the bigger picture.
Playing in bands since he was 15, it
wasn't until attending Berklee College of Music in Boston that he started
to develop into the musician that he is today. Even though he was a guitar
major, he learned to use his voice as an instrument.
"If you heard
early takes of me singing, I couldn't sing my way out of a paper bag," the
26-year-old Ziskin says. "I honed my songwriting and those were the couple
of years that I really developed my voice. I just listened to singers that
blew me away.
"For me, one of my biggest influences as a performer
and emotional delivery is Jeff Buckley."
While it may be
inadvertent, the white V-neck T-shirt and black jacket he wore while
sipping a cup of coffee was another nod to Buckley -- it was often the
late singer's choice of attire.
Oh, and the falsetto that he worked
so hard to develop may stir a few comparisons as well. Lest you think he's
single-minded, influences are wide ranging, from Leonard Cohen, to Bob
Dylan; from Elton John to Stevie Wonder.
But, in reality, it was
all about the Beatles. The seed was planted at an early age with the Sgt.
Pepper's Lonely Hearts Club Band movie. "I'm a fan of anything that is
melodic." And even in his guitar solos. "I like the kind that you can sing
as well as the vocals."
Ziskin credits open-mike nights to
developing his ability as a performer. "You can sit in a room and practice
all you want, but there's nothing like being up on stage in front of
people with a mike and you can't stop and start over."
It was at
this time that he amassed songs that became the Passion Seeds, a project
that yielded one album, Release. It was a commendable modern rock effort,
highlighted by the jangling hooks of Nevine.
In an
ever-constricting music industry, a little creativity to find exposure was
necessary. Several of Ziskin's songs were recently featured on the WB
network's series Pop Stars 2 and MTV's original series
Undressed.
The group played industry showcases up and down the East
Coast. And the audience response was encouraging, as the band sold several
thousand units. But the inability to get signed was like the proverbial
carrot dangling in front of him. On top of that, Ziskin was growing weary
by the mounting duties of self-promotion.
"I wasn't finding time to
write," he says. "It was a struggle 'cause some of the guys didn't want to
do out-of-state gigs, so I couldn't book any tours. I got to the point
where I hit the wall, so I stopped the Passion Seeds."
After a
yearlong hiatus, the passion returned. But this time it's simply Zach
Ziskin.
"I started to miss it. I'd go to concerts and I would be
like `man, I want be up there.'"
The result of his newfound vigor
is Real as the Memory, which is due to be released next month.
"On the
first record [with the Passion Seeds], I shied away from using heavy
electric guitars. I think it was an overreaction to my hard-rock shredder
guitar past," he quips.
An early preview of the track Figurine
reveals a maturing songwriter. Ziskin works as a studio engineer and it
shows in much richer production than previous work.
As far as
getting that big break, Ziskin isn't so jaded.
"While I was on
hiatus, I got a call from Columbia Records wanting to know what was going
on with the Passion Seeds. It made me realize ... if you do what you do
and you start to achieve some success you'll get their
attention."
He's also not concerned with trends.
"The one
thing that I think will never go out of style is people's desire to hear
really good melodies."
|
|